"Whistle for the Choir" - The Fratellis 
 
Our final song for February! How did your month go? Mine was an odd one, full of lots of adventures but it still left a bland taste in my mouth. As I get older, I find time to move much quicker, everyone always has said the older you get the faster the time goes but I honestly didn't believe it until these last few months. Life is schedules and routines, it is near impossible to get everything you want done within the day but I suppose that is the human condition, we always seem to reach higher than our arms could ever achieve. Though in the end what is the point on fretting one everything? So long as you are breathing air, aren't suffering, and aren't making other suffer I would say it is a life well spent. I sure would love to be in a penthouse in Manhattan right now but would it be any better than listening to Enslaved's outstanding album Eld and drinking sweet tea? No way of knowing unless I had the experience to say it was, so for now I listen to my music and day dream, oh! and I sit here and type out this post for you which too chose to spend your valuable time reading this website and for that I thank you. Anyways, for today lets talks about one of the bestselling Scottish rock bands of the 21st century, The Fratellis. They are mainly recognized for their debut Costello Music which is a 4x Platinum selling album that launched the band into stardom, they followed that up with the well-respected album Here We Stand that sold moderately well but still didn't gather the attention that their debut had. They have steadily released an album every 3-5 years from then on, none gathering the same reputation as their debut but still all well worth the time, well as far as I know since I have only gone through their first 4 albums so far and some EP's, but they are continuously near the top of the charts in Scotland. "Whistle for the Choir" is one of the strongest singles and tracks to come off Costello Music, an album made up of pretty well all A+ tracks. "Whistle for the Choir" keeps the same flow as the rest of the album, a touch whimsical and all around a pleasant listen especially with the fun way that singer Jon Fratelli plays with words. This track is a lot lighter than the others but still keeps the vibe, a lot more lovey dovey but then randomly goes to calling the chick our singer is singing to a "stupid girl" so I am honestly not sure where he stands in this love and truth be told I think that is the point of the song. A drunkard's song of love and loss, the song for sure has the feeling of the starting to a new relationship with all the confusion that goes along with it. A perfect atmosphere that fits most all moods but it fits best in the mellow mornings and lonely nights. The album it comes off of has so many good tracks, I first got lured in from their incredibly fun "Chelsea Dagger" and soon found out that the rest of the album is as good as the most popular. The album cover is a strange one but is strangely fitting especially with songs about cheap thrills and fast women. I really need to make the time to take in their more recent albums since the band is more impressive than I originally thought they would be. If you are someone who likes the British laced rock sound of the mid to late 2000's I think this album will go down like fine wine, and if you are someone like me that really digs the more garage rock revival sound of the 2000's then it will go down just as smooth. This song is just all around mellow and good time, one for relaxing not for partying like some of their other tracks, more like hangover music instead of what you listen to while you knock em back. Still can't tell if the song is really sweet with its honeyed words or if the track has a desperation feeling to it, maybe a bit of both which makes it feel so much more human. Enjoy! ​

​​​​​​​​Year Released: 2006
Album: Costello Music (2006)
Genre: Indie Rock
Mood: Love Starved
Perfect For: Relaxing, Sunday morning coming down, Romantic drives, New love, Casual dating
Where To Next: "Talk Tonight" - Oasis​
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Rating: 8/10​

"Deliver Us from Evil" - Warlord 
 
A little more of a hidden gem from the earlier days of metal, a time where the platform appealed to the extreme and the dorky. Don't get me wrong, dorky is a good thing, though arguably it is a good thing to the dorky... Anyways! "Deliver Us from Evil" is one of Warlords best tracks coming off their only album to still hold some notoriety Deliver Us. Their other 1980's release is a still a stand-up album, and their most recent release Free Spirit Soar shows off what the band could have been if they had been given just a little more time to form into a powerhouse, but I think their early sound is perfect the way it is. Granted, this brand of heavy metal never really breaks out unless your name is Iron Maiden, and in 1983 there were a ton of bands replicating the new wave of British heavy metal sound and the more American variation speed metal. Countless good tracks but much like bluegrass and reggae, it is a hard sound to break through with since they are all fairly similar. Those types of genres are sometimes the best though, you are never shocked or disappointed since it is always good. After talking about Manowar a couple of posts ago I found myself inspired to pick up a high fantasy novel once more, this time choosing the well-respected The Broken Sword by Poul Anderson. While reading that book off and on throughout the day, I had this track start playing and it fit the fantasy vibe for the day, and then it kept playing in my head all day. "Deliver Us from Evil" has a great atmosphere that has an epic lead up with the classic "foul weather noises". 1980's metal loved that sound, but I have learned that if a song starts that way it is going to knock you out. The kind of sound that calms the mind but worries the soul. The song doesn't fully take off until the 1:10 mark and you instantly realize that it was well worth the tension building. A great release with a flawless guitar tone reminiscent of Diamond Head and Angel Witch. While Quiet Riot was busy having the first metal album to top the charts and Metallica pushed out the groundbreaking Kill 'Em All there were still plenty of hard-working bands bringing forth sounds straight from the pits of hell, and for bands like Warlord it might be they relied on a god of light for their sound. That classic feeling of "good vs evil" is prevalent in metal music in the 1980's, but by the 1990's it is hardly there and we all know who won that fight, good for you big guy, shine those horns you deserve it! Anyways, Warlord didn't have a chance to fully bring their metal to the masses but they still have a sound that was fairly unique at the time, speed metal laced with lyricism of power metal with a more progressive style than a lot of metal bands at the time but not so much so that they could be thrown into a progressive genre. This song is well written too, there is more than enough power to deliver us from evil. I first came across the band when trying to listen through all the great Metal Massacre compilations released by Metal Blade which played a crucial role at exposing bands in a new and extreme genre of music. Warlord's "Lucifer's Hammer" was on Metal Massacre II and that track instantly grabbed me, epic and ominous cut with the edge of a freshly sharpened sword. So naturally I went right into the band and started with their debut Deliver Us and I was impressed as soon as the album kicked off with "Deliver Us from Evil", man that was a good day, 14 years old with nothing going on after a day of school but a freshly pirated collection of Lord of the Rings and a new album that blew my socks off. Much like this song complimented as I read The Broken Sword, it too got me stoked to waste my day away watching Lord of the Rings for the first time. There is magic in the metal, so do yourself a favor and give the song a listen! 

​​​​​​​​Year Released: 1984
Album: Deliver Us (1984)
Genre: Heavy Metal
Mood: Epic
Perfect For: Playing Dungeons and Dragons, In depth listening, Fighting off hoards of trolls and goblins!
Where To Next: "Atom Smasher" - Cirith Ungol​
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Rating: 7/10​

"Shape of Things" - The Yardbirds 
 
Modernly The Yardbirds are known as the starting point for Jimmy Page and for also having multiple notable musicians in their ranks at one point or another such as Eric Clapton in their early days and Jeff Beck for their prime days. Those three are some of the most respected guitar gods in rock music. Though for those that use The Yardbirds as a reference point for those guitarists careers and then don't take the time to listen through their moderately small discography are missing out on some great music. During their time the Yardbirds released plenty of widely covered tracks, and their innovation in the reshaping of rock music is something of legend. I have always believed bands that release a live album for their debut are typically bound for glory, and while that isn't always the case it is for The Yardbirds. Today we talk of "Shapes of Things" which is a legendary song, often regarded as one of the first examples of psychedelic rock and one that has a message of peace in a time of growing agitation which both of those things became the gin and tonic of rock music in the second half of the 1960's. First let's talk about the "gin" part, that wonderful psychedelic sound that had a proud presence in both the counter culture of the 1960's and rock music well into the mid 1970's. If you put this song next to tracks like "The End" by The Doors or maybe "Us and Them" by Pink Floyd it is a touch hard to see the connection. Though from someone that has tripped to all three of the songs and has spent countless hours in psychedelic rock, the genre started in a strange style that plays a thin line between garage rock, sunshine-esque pop and tinkered blues lines all fused together by heavy distortion. The easiest connection point is the guitar part at starting at 1:35, that sound was then heavily replicated by many guitarists, most notably by Jimi Hendrix which you can tell listened to Jeff Beck's guitar virtuosity with a keen ear. An important song that left its imprint and helped shape rock music for years to come. Now it is time to talk of the "tonic" of the song, those very well written lyrics that always give me chills. It is crazy that a song written so long ago feels like it is talking of the problems of now-a-days, and for the question that The Yardbirds brought to the light? No. time did not make man more wise. There are so many parts of the lyrics that hit it home, questions of humanity and its rape of the earth, worries of being the next to receive a draft order, and wondering if you have the strength to take it all in. The political landscape of America is worrisome at the moment, the pot feels like it will overflow at any point, it feels like a time when protest music become relevant again. It always seems the best music comes out in times of unrest not prosperity, so maybe that’s a silver lining? Anyways aside from lyrics about war and worry, we have a bold environmentalist position that was rarely touched upon lyrically up until this point. Even the lyrical genius Bob Dylan hardly touched it, and if he did it was in shades of grey, pink and blue, but for The Yardbirds they tell it exactly as it is. 
 
Now the trees are almost green 
But will they still be seen? 
When time and tide have been 
 
Fall into your passing hands 
Please don't destroy these lands 
Don't make them desert sands 
 
Something that still rings true today, the hope for our future generations to be able to breathe the same air and see the natural beauty that our mother earth offers us. I live in Utah, one of the prettiest states in the United States, if not the prettiest (yeah you heard me), so the thought of our beautiful mountains being ravished or the red rocks that Utah is famous for being destroyed for that liquid gold under sacred land is a terror. It isn't only the desecration of the land that bothers me but what it stands for. I am not your cliche "tree huggin' goddurned hippie", just a normal man that understands that my frail existence pales in comparison to the stone giants that create our beautiful landscape and will live on after I become dust. Destroying that for financial gain is simply deplorable, ruining habitats so the rich have a comfier place to jerk each other off doesn't sit well with me. But wanna know the sad part? This song was released in 1966, 59 years ago, the pleads of the common man were spit upon then so what makes you think it will be different now? It won't. 59 years later we can still talk about it like the song was written yesterday, its lasting power hasn't faded due to its lyricism and atmosphere. For once I would be happy if the lyrics "didn't age well", I could live with that, even for such a perfect song if these serious topics were a thing of the past that we can reflect on and say "sure was grand that the people back then took a stand" but we simply cannot. Though here I am sitting here and not going out with a picket sign so am I much better? Anyways, this post is going to be huge so I need to get back to the track. "Shapes of Things" is a great track both in rock history and just an overall joy to the ear, it was the bastard child between many band members, being recorded at 3 different studios with multiple different inputs and influences channeled into one mighty powerful song. It shows off why The Yardbirds shouldn't be simply a stepping stone for the guitar giants but one of the most celebrated names in rock music in the same tone that the Beatles and the Rolling Stones receive. While there is no doubting the amazing guitar work on the album, there is a ton to love from the band, it is well worth the time for any breed of rocker. Man, this was one preachy post, but when it comes to politically activated tracks what do you expect? Thanks for reading! Let this song be an inspiration to be bolder than you are today.

​​​​​​​​​Year Released: 1966
Single: Shapes of Things / You're a Better Man Than I
Chosen Compilation: Shapes of Things (1977)
Genre: Psychedelic Rock
Mood: Serious
Perfect For: Introspective thoughts, Getting inspired, Getting worried, Getting pissed, Getting sad
Where To Next: "World of Pain" - Cream
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Rating: 10/10

"Defender" - Manowar 
 
Manowar is one of my all-time favorite metal bands. Their unique metal sound left them a legend in the genre and one of the leading forces in the American power metal sound. Power metal is a copy and paste kind of genre for the most part, while I say that with respect it is the truth, once people picked up on the more epic and melodic side of power metal that was all she wrote. What really sets the bands apart is the lyrical themes and just how talented their guitarist is. But then there is Manowar, they came along with a powerful sound bathed in lyrical content of battle, barbarism, and heavy metal mythology. A common theme of their albums is the "fight for true metal" a popular theme in metal mythos and honestly it was my life blood back in the day. While bands like Nightwish and Blind Guardian sound like they came from the realm of the elven Manowar is the sound of the ruthless barbarian. Truth be told I never felt as close to Manowar as much as I did when reading through a compilation of all the Conan the Barbarian tales. I couldn't help but see the Faceless Warrior (their mascot following this album) in the spot of Conan for most of the books. Anyways, Manowar is brutal as hell and they have a full career of quality albums, and there hasn't been anyone else to match their noise and style though many have tried. You might not hear the "world's loudest band" (they still hold the title for the loudest concert) in the chosen track for today. "Defender" is one of their more mellow tracks that tells the story of the "defender" who is godsent to protect the helpless and smite the wicked as he reads the note his father left for him while the defender was still but a boy. While the song is a touch repetitive there is surely some power behind the words and the growing power of the band before they explode is always a great release. One of Manowars favorite lyrical themes is of battle and strength, half the time you are the good guy in the song and half the time you are the bloodthirsty bad guy but for “Defender” you are the good guy. Overall bassist Joey DeMaio is a fantastic lyricist that for sure shows off his love for sword & sorcery novels, trashy fantasy movies, and pulp magazines. That is probably where my love of Manowar started, I too am a big fan of fantasy themed media especially the high fantasy and sword & sorcery stuff so Manowar fit like a glove. Shit is kick fucking ass, and often brutal as hell. Joey DeMaio is not only a great bassist but his knack at writing compelling lyrics of battle is one of Manowars various lures, I mean just go check out the E P I C "Achilles, Agony and Ecstasy in Eight Parts" and your mind will be blown. If aren't looking for an almost 30-minute song based around the Iliad then there are plenty more like "Hail and Kill", "Dark Avenger", "Battle Hymn" and "Sleipnir”. I could talk about Manowar for years, the band means a shit load to me and they always make my heart beat out of my chest. Once again "Defender" doesn't show them off properly, but is still a good and chill song that is always a joy to listen to especially if you are in an epic kind of mood. I can't just praise Joey DeMaio and not the rest of the band, the iconic and powerful vocals from Eric Adams that really sell those lyrics and imagery, the impressive drummers that have come and gone in the band, and yes, the equally great guitarists that have been in the band. The guitarist for "Defender", and the rest of the band's first 6 albums, is Ross Friedman better known as Ross the Boss, which we have talked about previously in the "No Time to Lose" by Shakin' Street post, he has a lot of great albums under his belt. Anyways! Plenty to love in the band and you will see many more of them in this section of the website, so for now ride like the wind and fight proud. Also, the majority of all their album covers aren’t the best but if you like artists like Boris Vallejo and Frank Frazetta like me then you are in good hands, they take the bands theme very serious.
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​​​​​​​​Year Released: 1987
Album: Fighting the World (1987)
Genre: Heavy Metal, Power Metal
Mood: Epic
Perfect For: Dimming the lights for story time, Preparing your steed for travel, Sharpening your sword, Reading the pulps
Where To Next: "Crusader" - Saxon
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Rating: 7/10​

"Seven Lonely Streets" - Atomic Rooster 
 
This band takes me back each time I give them another listen! Back when I was an aspiring heavy metal historian at the age of 12 I started from the roots of the genre, taking in the early metal sound from the UK and my own shores. Atomic Rooster, Lucifers Friend, Blue Cheer, Budgie, Vanilla Fudge, Cream and so many more were blowing my mind and helping me see all the connections between the many genres of metal and rock. At that point I was already well versed and fond of the legends of 1980's mainstream metal, I abused my fair share of early metal albums out of the 1970's from the godfathers of the genre Black Sabbath, the hard rock heart attack Deep Purple, and the hammer of the gods Led Zeppelin. Though I needed to know more and find even deeper roots in the genre and that is when I came across Atomic Rooster. I first thought "what kind of a band name is Atomic Rooster?" and then hit that play button on their album Death Walks Behind You and I could care less what the band name was anymore, their sound was something I haven't fully taken on at that point. I felt like I found the missing page to my own biography, a sound that melds the rocker in me with the metal head, true unity behind a wall of sound. Death Walks Behind You stands as the bands most popular release, both at the time and modernly, and it serves as the best intro point into the band. "Seven Lonely Streets" really shows off the more progressive side of the band. It starts off with a smooth intro that has you floating before the guitar and drum attack sets your feet back on the ground. For those not well versed in the evolution of heavy metal might just view this as a simple hard rock track that got buried in the test of time, but it holds much more than just that. It is an early example of a more straight forward progressive rock sound that predates Kansas and Jethro Tull, it has a heavy sound that shows off a different sound of hard rock in comparison to the polished Led Zeppelin or the gloomy Black Sabbath. Atomic Rooster has the lyrical content to back up their claim as one of the first heavy metal bands and an all-around mystic and heavy atmosphere. Ultimately the title of “the first heavy metal band” in my opinion rests with Blue Cheer, even if bands like Cream were there first and played an essential role at bringing forward a harder rock sound, it wasn't until Blue Cheer released Vincebus Eruptum that metal had a platform to become one of the biggest genres in the years to come even if the metal of today is a long shot from that album, but that is evolution, if it stayed the same it would have never survived those first years. The first 10 years or so of metals evolution is a tad bit slow but once it started gaining traction in the late 1970's it flew off the rails. In those first 10 years there were a ton of bands that helped keep the heavier style alive, many to be forgotten, I think few did it better than Atomic Rooster with their first three albums aside from the gods like Sabbath and Deep Purple (which pre-1970 sound was similar to Atomic Rooster). The band is a potent one, made up of previous members of The Crazy World of Arthur Brown, and are a testament to a band of power that somehow got passed over, which is odd especially in a time period where less Hendrix style branding of harder music was starting to gain some traction on the radio. Though if you know anything about metal, it strives best when not in the limelight, so maybe that is what makes some of these forgotten bands so powerful. An artistic freedom that calls to those that want freedom of their own. If you are reading this and are inspired to jump further into roots of metal music, then this is really not the worst place to start, nor is it the best though. Feel free to contact me on the contact page and I will set you up right. For the rest of you, be sure to check out the song and if you like it maybe move on to the album. They are a forgotten band that left its imprint in the sands of the days before metal became the ruler of the wasteland. 

​​​​​​​Year Released: 1970
Album: Death Walks Behind You (1970)
Genre: Progressive Rock, Hard Rock
Mood: Cosmic
Perfect For: Casual listening, Getting inspired, Driving in the heat, Getting stoned, Relaxing
Where To Next: "Bring Out Your Dead" - Colosseum
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Rating: 8/10​

"Nothing Else Matters" - Metallica 
 
Welcome readers, today I have to put an advisory on this post. For those metalheads that are overly opinionated and are scared of people making money, this post might affect your health. Today we are talking of the controversial self-titled release from Metallica, better known as "The Black Album". This album has served as a spot for debate and bandwagon jumping for metalheads since its release in 1991. I remember back when I was first getting into metal I would hear all kinds of shit talk about this album. I was completely starstruck with the band's first 4 albums like any self-respecting preteen should be and hardly left my safety zone, though you would have to be 6 feet under to not have heard "Enter Sandman", "Nothing Else Matters" and "The Unforgiven". Admitedly I found those tracks lacking when put next to the albums I held dear, I thought I understood what everyone was talking shit on, but in the end I didn't understand a damned thing. That fateful day came when I went and downloaded their self-titled and it was one to remember. I felt like a fool by the end of it, putting down something I had no idea about. It was a similar feeling to getting to heaven after talking shit on God your whole life, you just gotta admit you were wrong and deal with the licks. The album starts off with "Enter Sandman", one of the most successful metal songs of all time, and a track I already knew all too well but right when that song ends here comes the iconic "Sad but True", something about that song following "Enter Sandman" hit me right in the gut. "Sad But True" already has one hell of a heavy intro but something about taking in a piece of musical history, having a shitty buzz from a stolen cigarette, and my speakers playing loud made me feel a little bit ill. I had the air practically punched out of me and the rest of the album continued on in a daze, each next song kicking me on the ground. I walked away by the end of it preaching the word of Metallica, and while my heart still rests with their first couple of albums, I will never deny that their self-titled is a masterpiece from start to finish. It is in the heavy tracks like "Don't Tread On Me", "The Struggle Within", "Wherever I May Roam", and "Through the Never" being placed strategically with the powerful slower tracks such as "The Unforgiven", "My Friend of Misery", and todays choice "Nothing Else Matters". The album is great and sure, the band switched their vision and money took part of bloodshed, but they didn't take your money and run, they gave you back change and an iconic album that you can still hear in a ton of metal bands today. Anyways, that is my spiel over but it bothers the hell out of me when people bitch about this album, it is a through and through iconic and important album that hit multi-platinum across the globe and diamond in Canada. Fuck the term "selling out", that is penned by those that don't understand how much albums cost to put together, music may be magic but you gotta use a ton of MP to cast that shit. Anyways, "Nothing Else Matters" is an iconic track. It is one of the leading forces in dividing the fan base from the album, it is nothing like what Metallica had previously put out. Even their other borderline ballad "Fade to Black" takes off into an explosion. "Nothing Else Matters" comes in mellow has a slight take off before coming right back down. The song is beautiful and, in all honesty, has an atmosphere I really haven't heard out of too many other songs. It feels so damn hollow, somewhat loving, somewhat pissed, and all around confused. The string arrangements in the background really compliment the atmosphere but still makes you forget for just a second that this is the "metal up your ass" Metallica that brought metal to the masses. An "emotion on sleeve" track from James Hetfield that never had any intentions on being released on an album until drummer Lars Ulrich saw the potential for the track. What Lars lacks in the drumming skills he sure makes up with his business and music sense. A song about expressing your emotions, both the good and the ugly, and with this strong of an atmosphere it is hard to not get sucked inward for reflection. You get all the way sucked in that you aren't ready for what comes along at the 4:50 mark, an explosion of emotion in the form of heavy metal, the most therapeutic of genres. A good rule of thumb with Metallica is when you hear James Hetfield yell out his signature "yeahs" you best run for cover. Anyways, this song holds history in the metal world and still even today half the people bash it and half the people love it. I am one who loves it but I am also one to pick "Trapped Under Ice" well before choosing this track. Sorry for doing such a big post this time around, sometimes it just goes that way. If you read all the way until this point then thank you! It is rockers like you that make this all worthwhile! 

​​​​​​Year Released: 1991
Album: Metallica (1991)
Genre: Hard Rock
Mood: Hollow
Perfect For: Casual listening, Inward reflection, Romantic drives, Beers at home, Writing
Where To Next: "Hollow" - Pantera
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Rating: 7/10​

"Atomic" - Blondie 
 
Blondie often played on a thin line between pop, punk, new wave, and rock but during their prime career they released some of the most essential songs for that year. Bands like the Talking Heads, Blondie and The Cars showed off where rock music was going before it fully went there, same can be said about punk music without the Cars. Things were getting more and more synthesized and electronic, everything was getting a little dancier and pushed to the clubs where disco was still reigning supreme. I know there are countless people and music historians that view the last 3 years of the 1970's as a time of woe and plastic though I view it as a necessary cleaning of the slate with the strongest of music bleach. The 1970's is my all-time favorite decade for rock music, so this is coming from a big fan that in some ways hates that disco and pop music started to tear down the supports around true rock music, but how much longer could that harder sound prevail over the masses? How many more guitar solos could fill the air? We needed something to shake up the world and new wave served as that vessel. It took notes from all the big genres at the time, melded them together, spit shined it and then let it loose upon the world. One of the leading forces in that sound was Blondie, living both in the world of punk fans and also pop fans. They could play a show in CBGB at the same time a bunch of teens in a convertible drove down Mulholland Drive in Los Angeles playing Blondie loud and proud. Some songs lean towards disco-esque beats and the others are snotty punk ridden tracks. Today we talk of "Atomic", one of my all-time favorite Blondie songs which came off their platinum selling classic, Eat to the Beat. "Atomic" wears a lot of different colors when it comes to the music, without a doubt wearing the disco side of things but they also meld in a spaghetti western sound that makes you feel like you're riding on a diamond encrusted horse through neon skies. One of the best Blondie songs for dancing, and one that is perfect for late night drives through the city. I chose the song while driving around the strange yet soulful streets of Rock Springs, WY. The place was cute, plenty of old buildings for my eyes to feast upon, and more bars in one area that I have all across my home county in Utah. Granted that is pretty easy since Utah County is ran by a religion that can't seem to keep its nose out of everyone's business and bums. While Rock Springs might have had better coverage on night life, they had the stupidest roads. So while I was trying to keep track of when to yield, stop, go, drop down to 15, gun it to 50, etc. there was Blondie playing sweetly in the background. That western feel matched the artsy small-town vibe of Wyoming brilliantly while the more dance forward pop sound matched checking out their historic district which flaunted cute murals and neon signs. The place felt like a time capsule that was bristling with adventure and addictions. I honestly think I would get bored of it fairly quick if I lived there but with Blondie floating over my speakers and my beautiful girlfriend by my side it might as well have been heaven. "Atomic" features so many layers of sound it is the kind of track worth listening to over and over again just to hear it all. It keeps a steady disco beat while adding in surf rock guitars, an electronic backing meets the atomic age while Debbie Harry sings you to tranquility. I first came across the song when I was a kid playing Grand Theft Auto: Vice City, I was too young to fully appreciate just how awesome this song is buuut even back then it was a favorite to let play. Man, that game had the best songs, but Grand Theft Auto always has a great compass for soundtracks. Anyways as I got older and got more and more into Blondie "Atomic" showed back up to impress me each time. Such a potenet track and in my opinion the best part of Eat to the Beat. Each time I listen through that album I enjoy each song, but in the back of my mind I just can't wait to get to track #9. It has such an addictive and powerful intro that quickly turns into something that makes even me wanna boogie. 

​​​​​Year Released: 1980
Album: Eat to the Beat (1980)
Genre: New Wave, Disco
Mood: Good Time, Liberating
Perfect For: Driving at night, Checking out the sights, Romantic evenings, Casual listening, Dancing
Where To Next: "The Metro" - Berlin
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Rating: 9/10​

"Unbound" - Machine Head 
 
I have a plethora of bands that I need to keep track of, so half of my new music Friday's is spent checking out the new releases from my hundreds of bands. I often get a boat load of boring live releases, odd remixes and lost tapes but sometimes I come across some new tracks that are killer. Disturbed came out with the single for their song "I Will Not Break" which was a ton better than I originally expected, really shows the band haven't lost their knack for easy to swallow metal. After a long dry spell Black Label Society came out with a new song "Lord Humungus" and while it wasn't anything to change the world it was still some great stuff in that beloved Black Label style. Though the one that really kicked my ass was from Machine Head, while the band hasn't lost its touch in the slightest since their first studio album in 1994, I was still a touch worried if they could keep it up. Right when "Unbound" took off I muttered "holy fuck" and had chills spread all over my body. They still got it! I am looking forward to the album that holds the track to come out in April this year, if it holds even half the power of "Unbound" it is going to be a great one. "Unbound" seems to have kept the same atmosphere and sound as their previous release Of Kingdom and Crown but added in even heavier vocals and made a strange bastard child between Gojira, Unto the Locust Machine Head, Slipknot, Pantera and Trivium. Machine Head has a damn good discography, not releasing even one weak studio album, each brings in something a little bit new and keeps the band sounding fresh in the changing tides of heavy metal but they still make it a point to keep their core sound close to heart. They have dabbled in most of the heavier sounds of heavy metal, a little bit of industrial here, maybe some slowed down groove metal there, some electrifying thrashing ripping apart some progressive based metal on top. Each time I am blown away by the band, and most anyone I have showed them to says the same thing "hot damn!" they are a powerhouse in the metal world and are a self-efficient machine that burns the world with each new release. "Unbound" takes a more progressive route for the start but soon enough it turns into a thrash attack that strives to break your god damned neck. I think it is going to be the best track I discovered this month, and I have been mighty fortunate to have found many good tracks in February. This will be their first album with new guitarist Reece Scruggs and from what I hear I think he will bring something great to Machine Head, him coming in alongside the new drummer Matt Alston feels like a fresh coat of paint to a band that has been going strong for over 20 years. I feel a touch bad for Matt Alston though, trying to fill the drumming shoes of Dave McClain is a daunting task. Well, only time will tell how the album will turn out but if "Unbound" is anything to judge it off of, I think we are going to have another great album from Machine Head. ​

​​​​​Year Released: 2025
Album: Unatoned (2025)
Genre: Groove Metal
Mood: Empowering
Perfect For: Playing loud, Driving fast, Riding motorcycles, Fast paced activities
Where To Next: "Grind" - Gojira
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Rating: 9/10

"Wear Your Love Like Heaven" - Donovan 
 
After the shredding attack we took on from the previous post we need a track that will have us breathing easy. For me, when it comes to breathing easy one of the first musicians I seek out is Donovan. One of the most popular names in the mainstream side of folk music in the 1960's. His first album leans more towards a Dylanesque sound, which was quite common since Bob Dylan switched up the whole game and he has legions of imitators. Even when Donovan was starting his rise to fame the rock media and other musicians tried creating a rivalry between the two that almost turned into something until the two met and realized they are just two dudes that play awfully similar folk and do it well. Admittedly there are a few tunes off Donovan's debut What's Bin Did and What's Been Hid that are damn similar to Bob Dylan's tracks. Though like I mentioned prior, is it all that shocking that this folk picker was influenced by the one of the biggest names to ever grace folk music and American music as a whole? Donovan soon went away from that straight forward folk sound into the evolving sound of rock music at the time. He brings in a traditional British feeling to his music and then force feeds it psychedelics until you have a strange melding of multiple sounds, some popular at the time and others plain obscure, but through and through original. That debut I talked about earlier is my favorite sound for Donovan but the psychedelic washed folk sound is what really made him an icon for the time. Tracks like "Season of the Witch", "Sunshine Superman" and "Atlantis" are iconic tracks that helped define some of the counter culture of the 1960's. But in comparison to some of his folk based tracks like "Ramblin' Boy", "Colours" and "Catch the Wind" I find myself more drawn to the folk ones. Still all of it is great and addictive. I chose "Wear Your Love Like Heaven" for this day, I was on a Donovan kick and listened through most of my favorite tracks from him as I created a playlist based around Donovan and similar artists. "Wear Your Love Like Heaven" comes off the obscure but amazing A Gift from a Flower to a Garden, one of the his most successful albums that dabble in some of that straight forward folk sound, ballad working from his Scottish roots, psychedelic kisses, and a pop sound that followed him like a guiding light throughout his main career. This song starts off with a more floaty feeling, but it is that chorus that always hooks me. A peaceful track with honestly strange lyrics, but when it comes to Donovan the topic of varying religious themes is expected since he has followed many different religions throughout his life, but ultimately claims a love for the goddess which is expressed in many of his songs. Like any respected folk musician, he is as equally talented behind a guitar as he is behind the pen, writing some lines that completely floor me with its simple yet highly impactful nature. He is a natural born dreamer such as myself and like calls to like. I first got into Donovan from his big hits like "Hurdy Gurdy Man" and "Mellow Yellow" but once I got sucked into his mystical world of fairies and sailing ships in the distance, I have never lost my love for his music. Always a good time that often has you drifting away and thinking for hours. A powerful musician that didn't get the love he fully deserved during his prime career or even modernly aside from a couple of hits. As far as folk goes, he is one of my favorite acts, and believe you me, I have a ton of folk musicians that I adore. So take a seat dear reader (if you aren't already sitting, I suppose) and kick your feet up and fade away with some beautiful music that goes down smooth and leaves you feeling uplifted. If this one doesn’t strike your fancy, then maybe try a different track since his sound varies once or twice. Enjoy! 

​​​​​Year Released: 1967
Album: A Gift from a Flower to a Garden (1967)
Genre: Psychedelic Pop
Mood: Peaceful
Perfect For: Casual listening, Meditation, Relaxing, Waking up, Sitting in the woods
Where To Next: "On a Quiet Night" - The Association
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Rating: 7/10​

"Black Star" - Yngwie Malmsteen  
 
If you have come to this website to find the ultimate guitarist for shredding then look no further, you found it! Yngwie Malmsteen is one of the ultimate guitar gods and one of the most respected guitarists in the heavy metal world. While everyone in 1984 was busy building up the thrash metal sound and still beating up the speed metal sound there was Yngwie Malmsteen pushing forward a sound that would soon be known as neoclassical metal. A genre that built itself up from melding classical music with metal, close to the power metal genre but not quite it. That melding soon bled into almost every metal genre out there but there really isn't anyone who does it better than Yngwie Malmsteen and his iconic Stratocaster. Yngwie's virtuoso playing is lightning fast and when it comes to showing off that power I am not sure if there is a better place to start than with his iconic "Black Star". This song, much like the majority of 1984's Rising Force, is damn impressive and makes my fingers ache just listening to it. Half beautiful and half heavy as hell, but all around incredible. My favorite guitar players tend to be shredders, it is a pure joy to listen to and gets your nipples hard. Yngwie Malmsteen already had an impressive career leading up to this point, first his place in the heavy metal band Steeler almost single handedly sells the album (see "Hot on Your Heels"). After Steeler he went on to be the guitarist for the damn good yet modernly underrated hard rock/heavy metal band Alcatrazz on their 1983 classic No Parole from Rock 'n' Roll and the following live album. His playing on that is crazy, and Alcatrazz as a whole is already a potent band. That album shows off what Yngwie is about to bring to the table in his long and respected discography. "Black Star" is the intro track off his solo debut album Rising Force, an album that pretty well created the whole shredding platform for the masses. This was the first album made out of mainly instrumentals that my ears were fortunate enough to take in, and I have been in love with it ever since. He pretty well made my mind up for me when it comes to "favorite types of guitarists". How could you not fall in love with something so damn heavy yet melodic?! Plus, look at that album cover! If that ain't one kick ass album cover I don't know what is. The chosen font is great, the imagery, and it is all that much better when you listen to the album and just stare at its raw power as Malmsteen melts your face! A shredders wet dream, and while the album lacks the variety that is on Malmsteen's follow up album Marching Out, I would say Rising Force serves as the best place to jump into the man behind the Strat. If you are one who loves guitar but have somehow gone this far into life without hearing of Yngwie Malmsteen then go check out his stuff! Most every studio album he has put out has a good handful of great tracks (especially the first couple), some are perfect through and through like this album and my personal favorite Trilogy. Though if you really want to see some magic then jump on YouTube and watch some of his live performances, I promise you will walk away with goosebumps. "Black Star" is one of Malmsteen's most known songs and biggest hits. This album pretty well created neoclassical metal and once again "shredding albums". A bona fide god in the metal world, so get on your knees and bow mortals! 

​​​​Year Released: 1984
Album: Rising Force (1984)
Genre: Neoclassical Metal
Mood: Heavy, Mystic, Awe-inspiring 
Perfect For: In-depth listening, Playing loud and proud, Wishing I could be so cool... *sigh*
Where To Next: "Speed Metal Symphony" - Cacophony
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Rating: 10/10​

"Darkness" - Aerosmith 
 
Man, I can never get enough of Aerosmith! Certainly one of my all-time favorites from the start of their career up until their most recent studio album from 2012, Music from Another Dimension. What makes Aerosmith one of the greatest and most successful names in rock music come from many places, the iconic guitar work of Joe Perry, the sex obsessed lyricism, the unhinged vocals of Steven Tyler, and their talent at following along with the changing tides of rock music. Their 1970's career is full of groundbreaking hard rock that is rock radio staples to this day. Their 1980's more laxed approach still rocks you to the core and spurred multiple hit records and even more hit songs. Once the 1990's rolled around the band took a step back but still put out great albums like Get a Grip and had the big hit singles "Cryin'", "Pink", "Crazy" and the wildly successful "I Don't Want to Miss a Thing". While the 2000's and the 2010's is when the band started to slip, they still had Just Push Play which I think holds up just as great as some of their previous albums. Today we are looking at "Darkness" which comes off their 1985 gold certified album Done with Mirrors. An album I swear doesn't get the same love as some of the others but still holds plenty of "greatest hits" type of tracks. The 1980's had Aerosmith showing off a more polished sound in comparison to the previous decade and that sound started with Done with Mirrors, this album had the return of Joe Perry on guitar after his departure after 1979's Night in the Ruts. It is a welcome return and had the rock world looking on at this album with hope and wondering if this is going to be the comeback of one of the worlds more powerful rock groups. A comeback it was, but not in the sense of champagne bottles popping off and their pictures on the front of magazines, it showed that the band still has that power that helped define the previous decade, a triumph tale of bridging the gap of broken relationships and bringing rock to masses with more fever that the majority of hard rock bands out at the time, yet still it was a commercial failure. "Darkness" is a testament to the bands ease at laying out some hard rockin’, starting off with the false sense of a calmer Aerosmith track reminiscent to the feeling of "Seasons of Wither" instead of the harder hitting songs off the album like "My Fist Your Face". Though you get caught with you pants down once the 1:15 mark rolls around and Steven Tyler socks it to you with his iconic... noises? and the band takes off into a sensationally catchy remainder of the track. "Darkness" appeared as the final track for CD & cassette versions of Done with Mirrors. I think it is a better ending than "The Hop" which is still a good song but I really have a love for "Darkness" especially with that send off and smooth guitar work the leads the song to its conclusion, a great way to end the album. One of those ending tracks that make you want to listen to the album again. This album is a great send off to the original Aerosmith hard rock sound before the glam charged Permanent Vacation takes over their style for the following couple of releases (for better or worse). There is a ton to love with Aerosmith, their varying career always keeps things shakin' while still keeping their core sound. This is only their 3rd time showing up on this section of the website and I am damn excited to share more tracks with you as they come along. 

​​​​Year Released: 1985
Album: Done with Mirrors (1985)
Genre: Hard Rock
Mood: Smooth, Fun
Perfect For: Walking, Casual listening, Taking shots, Writing 
Where To Next: "Shake Your Foundations" - AC/DC
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Rating: 7/10​

"Here to Stay" - KoRn 

One of the earliest bands in my life that graced my ears was KoRn. Both of my parents are fans and it is one of the ones that passed on to little ol me. Even without their help I am sure I would have come across the gold mine that is KoRn. One of those bands that helped craft who I am and one of those bands that I can never seem to get enough of. Their whole vision is to bring you to a place of desperate anger, to let out emotions that you leave bottled up. Out of the legion of bands that I cherish, KoRn is the only one to actually have me let out some of that pent up anger. If you know me in the real world, it is easy to say I am not an angry person, I have that emotion under lock and key, but with KoRn it comes out. Not in the way that I drive like a dick or wanna hit the sweet old lady crossing the street, more within like a therapeutic bout of smashing TV's or trying to gnaw through a TV directory. "Here to Stay" comes off their 2002 album Untouchables an album that shows that KoRn is about to change their pace to less anger and more sorrow, the two albums that come after serve its purpose at showing off the emotions that come after the anger passes. A side of regret or maybe sorrow, the type of self-kicking that makes you want to be a better person. KoRn has had a damn long and damn successful career. They are one of the most recognized in the heavy metal genre and brought nu metal into the light for the masses to get behind, well maybe just the cool portion of the masses. Growing up in a time with KoRn still being a big name was a joy; their fan base tends to be unhinged but that is some of the selling point of the band. Like calls to like and KoRn calls to those that are broken. Not only with their style and their lyrical content, but the imagery and the stage persona as well. I have been a longtime fan, though admittedly in their earlier stage since I have yet to make it to most of their later stuff (yes, I know that I need to whip myself). Another thing to admit is my lack of fondness for Untouchables, while I respect its place in the KoRn discography it doesn't have that same gift that the previous albums had or the two that followed it. I am a big fan of "Here to Stay" and I stand by the statement that it is the crown jewel of the album, and honestly, I have a feeling that most would agree with me there. "Alone I Break", "Bottled Up Inside" and "Thoughtless" might be good runner ups but there is no beating "Here to Stay" on the album. It served as the leading single for a reason, and it is one of the best KoRn tracks to come out of the 2000's but in the end the rest of the album falls short. Still, this is opinion based so if you dig the other tracks more, then I am happy for you. "Here to Stay" is heavy as it comes in the nu metal world, and it is also one of the catchiest to boot. KoRn has this special brand of funk that funks you up, it is damn near impossible not to head bang along to and stomp your feet. The KoRn style of headbanging uses your whole damn body, and if you are listening to this track and not flopping around like a fish then you are missing something within the track. It has that classic KoRn lyricism that we know and love. Being pissed off, self-harm, and the almighty hammer of hate. I especially love the line "as the hurt turns into hating". If I was to write a book all about KoRn (which would be a blast, Jonathan Davis hit me up) I would certainly entitle it As the Hurt Turns into Hating. Even if they are a band of pain, there is a redeeming factor in their music, it is strangely uplifting. Perfect for most anything that needs that little kick, it is like a jolt of caffeine each time the band kicks on over my speakers. "Here to Stay" is a great entry point for the band, and is a pure classic from their massive selection of damn good songs! They are not a band to skip over, and are essential to the study of heavy metal or those that love that heavy sound from the 1990s and the 2000s. Enjoy!

​​​Year Released: 2002
Album: Untouchables (2002)
Genre: Nu Metal
Mood: Angry
Perfect For: Venting, Playing loud, Waking up to (strangely), Physical activity 
Where To Next: "Determined" - Mudvayne
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Rating: 9/10

"Inner Light Spectrum" - 311 
 
For my area 311 are icons but when I read things about them elsewhere all I tend to hear is shit talk. While not every song they put out is great, I am not sure where the hate comes from. They are a good band that can meld in multiple crowds. I wasn't around for their prime days so maybe I am missing something, though I rarely care all too much about what people put on bands or musicians. Opinions are like assholes, we all have them but they tend to stink and shouldn't be flaunted around. I am no saint, and when I was much younger, I certainly thought it was "my way or the highway" when it came to music. I am so damn glad I got out of that shit mindset, if I hadn’t, I wouldn't be writing about Sinead O'Connor right after Candlemass or have a deep love for Elvis Presley while wearing a Bathory shirt. I think it is an important thing to have a broad horizon of music taste, it makes you appreciate music more and at least gives you an idea to why you aren't fond of a certain style or band. In the end people like what they like, art is subjective after all, so if you aren't a fan of 311 then I am sorry... sorry for you mainly. "Inner Light Spectrum" comes off their successful 1997 album Transistor
 which saw 311 take on a much more reggae emphasis and dropping a little bit of their rapping songs. Their reggae rock sound is where I truly love 311, unlike some of the bands that are well known in the reggae rock world like Rebelution, Stick Figure, and Slightly Stoopid, 311 has a touch of a heavier hand in the rock world namely the alternative rock world. They have always had a knack with melding multiple styles and having one song be heavier and rap forward and then turn it around and do a song that is reminiscent of a lullaby. Transistor has been a long time favorite of mine from their collection, and while I admit there are quite a few tracks that are filler I am typically content listening to the whole thing even with its 21 songs and over an hour of playtime. I chose "Inner Light Spectrum" while grinding away at this website. I really love my creative love child that is AintNoisePollution though there are some aspects that I hate doing. One of those things are the lists, I adore compiling them and doing the leg work of making a great list (based off opinion) but when it comes time to type it all out, I often think to learn how to add dictation to this website tool. Those lists take me forever to put together since I am dedicated to giving the best possible list without missing anything. I am currently typing out the "my top 500 metal songs of the 1980s" but before I type it, I write it all out by hand and combat them against each other in a strict grading process. This one has taken me 30 hours or so to put together so far, and while I make it hard on myself due to my process, I really think it is worth it for you precious rockers to find some A grade music. Anyways, I was listening to this album while I was doing the groundwork for that list, a touch annoyed from brain strain, and wanted a little something to put my mind at ease. The album starts off with "Transistor", a track I know all too well, and I felt like a heavy weight was taken off my shoulders. Tracks like "Inner Light Sanctum", "Beautiful Disaster", and "Color" always put my mind at ease with that 311 groovin' bliss. We still have the faster paced songs to not have me falling asleep behind my keyboard too. "Inner Light Spectrum" is mainly lead by vocalist SA Martinez, the typical one to rap but he who can equally sing you to sleep. This was one of the first tracks from the album that hooked me back when I was 9 or so, and since then I come back often. I still remember borrowing their self-titled CD from the local library when I was a kid and knowing I found a band I will carry with me for years to come. Transistor is one of their better-known albums, but it has the good the bad and the ugly of 311. Granted a project like this album is bound for the floor, it is a shame that not every track was a good one, but it is expected with this many songs and not much shaking up the sound. It is in tracks like this one we have here today that helped it shine through, so do yourself a favor and give it a listen! Like what you hear? Well, try out the singles off the album and then move on to their self-titled before coming back and giving this album a full listen.

​​​Year Released: 1997
Album: Transistor (1997)
Genre: Reggae Rock 
Mood: Floaty
Perfect For: Going to bed, Relaxing, Insightful stonage
Where To Next: "Legal Dub" - Sublime
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Rating: 7/10​

"Nothing Compares 2 U" - Sinead O'Connor 
 
Sinead O'Connor is often regarded as one of the most important names in music from the 1990's. With heavy themes, clever lyrics, an easy and mellow sound, and so much more she quickly became a household name for better or worse. I honestly took a long time to get around to her discography, she is one of those musicians that I am very hit and miss with. Though even with that outlook there is no doubting her talent and the emotion she brought to the softer side of rock, folk and pop during the turbulent transition from the 1980s into the 1990s. "Nothing Compares 2 U" is her most well-known and respected song, that mellow and heartbroken feeling feels like taking a nice drink of cold water when parched and then tearing up about it after. It is a smooth song that wears its emotions on its sleeve. Originally written and recorded by Prince with a seemingly unbeatable version, yet it is easily dragged through the mud with the one from Sinead O'Connor. Hers is honestly beautiful and so damn emotional; you can feel each crack as her heart breaks. Funnily enough I chose this track for my choice for Valentine's Day. I had a great one with my precious Alesha, we went to this classier (and expensive) joint in Draper, UT. Whoever was over the music there must have looked up "generic love songs" and pressed play, though it wasn't the lovey type like "The Air That I Breathe" from the Hollies or "Can't Take My Eyes Off You" by Engelbert Humperdinck, they played mainly break up songs. While it has that romantic feeling, especially in the chorus, I found it silly they weren't selling the romantic vibe. Well maybe they were, but for people like me that adore lyrics I found it comical. One of the songs that played was "Nothing Compares 2 U" and while I was pleased as punch to hear it kick off, I also found it an odd choice for a place that had a great overlook on one side and big flat screens playing sports on the other. This place really didn’t know which way to go, high class restaurant or a pub? Halfway through the song I ended up needing to use the restroom, and while I peed in their strangely fancy urinals I had Sinead O'Connor singing loud and proud. There have been so many times I really appreciate the music in public bathrooms, always nice and quiet with good acoustics. Granted this time along I think the music was a touch too loud, but for people like me that is usually a pleasant thing. A nice romantic evening complimented by a great song that is admittedly a pretty romantic one aside from the obvious break up lyrics. The masses love catchy choruses and it blows my pea sized brain how many people don't listen to the lyrics in songs. The classic “Born in the USA” or “Semi-Charmed Life”. Anyways, when I first started into the 1990's deep dive was when I fully understood why Sinead O'Connor was such a respected musician. This album knocked me out, I was on the train heading back home and it was snowing outside and it was such a calming time, I knew that memory was going to follow me forever. I had chills the whole damn train ride home, and it wasn't due to the weather. I think I listened to this song 3 times in a row and each time I am pretty sure the other passengers were wondering why this dude kept stopping breathing. Such a powerful song and such a tremendous performance that always controls my mind while it plays. The album has sold 7 million copies worldwide, plenty selling from the success of this song, and it still gathers the attention of so many new fans 25 years later. One of those timeless albums with plenty of great songs. I was hoping to have a more "love, love, love" kind of song to fit the Valentine's Day post buuut when a song floors me there isn't much else to it. If you for some reason have never heard this track, then I am excited for you to give it a listen! An all-consuming and fucking beautiful 5 minutes that will have you feeling exposed, loved and impressed. 

​​Year Released: 1990
Album: I Do Not Want What I Haven't Got (1990)
Genre: Pop
Mood: Grief-stricken
Perfect For: Rainy drives, Late night cigarettes, Memory lane, Break ups
Where To Next: "Baby Can I Hold You" - Tracy Chapman
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Rating: 10/10​​

"Scarlet Begonias" - Grateful Dead 
 
Alright, after that last post I told myself I need to not write a complete walkthrough of my love for a band or song. Then I went and chose this song the following day... I love this song! But I won't! I won't go on and on and on about how much... maybe. "Scarlet Begonias" is one of the Grateful Dead's greatest songs which is quite the statement since they have a long career chockfull of 10/10 songs. This song has had a place in my heart, for what feels like, since I was born. I have had countless memories with this song playing in the background especially in my time of growing up but even within the last year or two I have had plenty of “moments” with it. This is one of those tracks that is truly peaceful, written for dreamers and lovers. The Grateful Dead are one of the most iconic bands in music history. Their vision, their jam band style, their fanbase, and imagery has made them a staple for the counterculture of the time and even today they gather fans around the campfire to kick off their shoes and relax. Their infamous discography is one that I can never get complete since by the time I catch up to their most recent release they already released 3 more live album. That is one of the things to love about them though, always great music coming out of the band. Their studio discography is 13 albums of almost perfect albums, they lost their touch a tad bit near the end but that is expected especially when you set the bar high and always was fortunate enough to keep matching that grade. "Scarlet Begonias" is off of their seventh studio album From the Mars Hotel, a classic album from their discography but one that still doesn't get the love it deserves from those that pass through the band and just pick up their iconic American Beauty and move on. It is 8 tracks of great grooves, but even with those other tracks they come up short in comparison to this track. "Scarlet Begonias" is a track about love that is bound to fail, to try and catch the wild wind. Great for imagery though and lyrically it is great. The pen of Robert Hunter always impresses me. While it isn't the deepest words I have ever heard, there is a clever quickness to it that grabs references from everything to renaissance plays to detergent commercials. Like I mentioned previously this song has been with me a long time and has been along for some wild rides. While I was still in my psychonautics phase of my early life the Grateful Dead had a very important role to play, especially with acid. While "Friend of the Devil", "The Golden Road", "Fire on the Mountain" and "Eyes of the World" played mellow over my speakers while at the peak of my trip, it was "Scarlet Begonias" that played the next morning. For those that have played with that little square of vision, you know that sleep is nigh impossible, part of the downside of that one, so it is usually maybe 2 hours of sleep and then back out into the world. I had a ritual for the longest time to listen to "Scarlet Begonias" for my first song as soon as I have to get back to living in the real world. It helped remind me that it is over and now I gotta go to work or the other mundane facts of existence. Even now when I play this song I get this stressful bliss from it; my brain is probably trying to find out what it needs to do to sober up. I am boring now and riddled with so much fucking anxiety I don't think I can trip again, it loses its ilustre when you get a little older sadly. Grateful Dead is great to listen to while messed up but it is equally as great while sober. Not one of those "hippie" bands that only sound good inebriated, the Grateful Dead is some of the most impressive musicians in a conventional sense. A good, mellow, smooth ride from their heart into your soul. That is the post, how did I do? Not as damn long and repetitive right? Yeah... I think this post was a good one! Even if it is barely shorter than the previous. As always, thanks for reading and rock on!   

​​Year Released: 1974
Album: From the Mars Hotel (1974)
Genre: Rock
Mood: Calm
Perfect For: Getting stoned, Electric Kool-aid, Taking a drive, Hiking, Being outdoors
Where To Next: "Queen of the Highway" - the Doors
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Rating: 10/10​

"Crystal Ball" - Candlemass 
 
Candlemass is one of my all-time favorite metal bands! Strangely they came a little later into my obsession, but when I was 18 and came across their album Nightfall, I truly felt like I stumbled onto something sacred that would change my life forever. Change my life it did, it lit a fire under my ass to take in as much of all the genres I could. I mean by that time I knew of the band but I was too obsessed with my small collection of 30ish metal bands to come up for air. During that time I didn't see a point in deep diving into the others. Granted that was before Spotify was fully the force it is now, so to get completely into another band would mean visiting pirate bay or relying on YouTube which I have never been fond of for music except those hidden tracks. Trash, Speed, Industrial, Nu, Progressive, and Traditional heavy metal (New Wave of British Heavy Metal & "Early Metal") was my home for years. I had countless memories with Megadeth by my side, an obscene amount while blaring Black Sabbath, and many a night rocking away to Motorhead though I knew it was time for mass expansion more than just the album reviews I did for study purposes. I needed to take some bands under my wing and fully fall in love again and it was Candlemass that showed me that. Don't get me wrong, even back then I studied heavy metal though there were some corners I studied yet hardly listened to in my daily life. Damn foolish I would say, there are so many great bands out there, and it is plain dumb to not take in as many different sounds and styles especially when we live in an age we can listen to anything for practically free or for a monthly fee. So, if this is sounding a bit like you, I challenge you to try something new on for size, who knows you might find a band to change how you take in music. Anyways, Candlemass is one of the biggest names if not the biggest name in doom metal. What is doom metal? Well, honestly it is in the name, death metal is reminiscent of death, thrash is thrashing, and black metal is murky. Doom metal is a genre that suckled at the teat of Black Sabbath and soon enough evolved into the sad, haunting, and EPIC genre called doom metal. It is the audio personification of doom, hopeless foreboding doom, I always felt like it was the sun slowly getting blotted out by the moon to never return. Candlemass released their debut album Epicus Doomicus Metallicus in 1986 and while the album didn't sell too hot upon release, it has since become an iconic album in 1980's heavy metal. Once their follow up album, Nightfall, came along this album finally got its love due to the commercial success of their follow up. Both of them are great albums, and I mean FUCKING GREAT, both are 10/10 flawless albums and while I lean more towards Nightfall especially with the iconic Messiah Marcolin behind the microphone, that doesn’t mean that this album is equal to it. I really dig what Johan Langvist did in Epicus Doomicus Metallicus but the band really took off and had a full presence with Marcolin on vocals. "Crystal Ball" is a powerhouse from the album starting right off with gut retching power, I love that damned intro the most though the whole song is a great one and always is a joy to listen to. In classic Candlemass style they sing of mysticism creating a great image of magic and epic battles. With the bombastic slow style and intense operatic vocals, it is easy to see why this album is one of the biggest in the genre. Why, it almost singlehandedly pushed doom metal into the light. I mean the name for doom metal likely came from this album's title, since it is "epic doom metal" in dog latin. Candlemass at times can maybe come off a touch dorky though with this much raw power it is hard to not be transfixed by their metal. Shit, they know how powerful their music is since they released "Bewitched" on their following album which is all about the power of their music controlling your soul! Heavy metal mythology is one of my favorite lyrical themes and few do it better than Candlemass. It is one of the most kick ass metal tracks to date and is one of their most successful right behind "Solitude" which is an essential listen for anyone who bangs their head. While "Crystal Ball" might not be essential I would put it in the top three from an album that is essential and once again, is fucking great! A legendary and relentless band in the metal genre, and one that I will love until I die. I can hardly get enough, certainly one of those bands that I never skip when their turn shows up on my speakers. Unless you want to read me fangasming I need to stop before this post goes on too long, but I could write a book about my love for this band. So, gaze into the crystal, see what it tells and enjoy! They have the power to bewitch your mind and sprout horns from your forehead.  

​Year Released: 1986
Album: Epicus Doomicus Metallicus (1986)
Genre: Doom Metal
Mood: Epic, Mystic, Intense
Perfect For: Foretelling the future, Hiding out in a tower with the dead under your dominion, Enchanting an ancient mask
Where To Next: "The Tempter" - Trouble
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Rating: 9/10​

"Satanas" - Mortem 
 
From the pretty singing of Brenda Lee right into the extreme metal world of Mortem. That is the creed of AintNoisePollution, we cover all sides of music that have roots in rock music no matter how small (and even some that aren't related at all). Mortem is a hidden gem of blackened death metal, not having all too many tracks but the ones they do have are heavy as a motherfucker. "Satanas" is one of many great tracks that come off their 2022 compilation Slow Death which is also the name of their 1989 demo album that practically serves a debut since their only studio album came in 2019 when they reformed and kicked out the haunting Ravnsvart. This band is brutal through and through, not relying on the atmosphere of black metal, nor the oddness of gothic metal, nor the brutality of death metal. They are a beautiful melding of many different styles, giving you one hell of a package. I have listened through all their material and while their demo tape which held a lot of the songs from this compilation are good, they are certainly off of a demo tape. If they could have just pulled off this intense of a sound back then we would see their band shirts being sold at Hot Topic to kids that don't know what the fuck a "Mortem" even is. For a band that isn't well recognized I am impressed on how good this compilation turned out, and it doesn't hurt when the album cover is kick ass. A couple of posts ago I was bitching about Dude Ranch and I wonder if you are now thinking the same thing while looking at this monstrosity. I think it is kick ass and lets you know exactly what the music is going to be like. Mortem was the predecessor to the all-intoxicating band Arcturus, a classic in the melodic black metal scene. Most of Mortem band went on to Arcturus though that doesn't mean that Mortem still wasn't making music even while Arcturus was putting out some bold black metal. From the first time I started into the band while deep diving the metal of 1989 I was instantly impressed with them. One of those bands that I am incredibly shocked they aren't more well known in the extreme metal communities. Peaceville records, which Mortem is signed to, is a great place to find some heavy shit from the more known side of metal to the complete earfuck of extremely extreme extreme metal. I have trusted their compass for some time when I am looking for a newer metal band to jump into and/or some obscure band that I missed when doing a deep dive into a year. I chose "Satanas" while just working but I shit you not I was daydreaming of fimbulwinter and rank caves with goblins within. Naturally I was going in there to SLAUGHTER! Though in reality I was just walking to-and-fro at my work, still even just the mundane act of warehouse work seemed epic for those 6 minutes of glory. I am excited to see where else the band goes, and I hope with all my heart they don't fade away back into obscurity. If you are one that likes the atmospheric side of black metal, but don't want a slow 30-minute song, I strongly suggest giving Mortem a go. For those that don't like this side of metal probably didn't read this far in since the album cover really tells you all you need to know. Though even if you presume you aren't going to be a fan, I suggest still giving it a shot, only so you know for sure. And then you can commence missing out.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 2022
Compilation: Slow Death (2022)
Genre: Black Metal, Blackened Death Metal, Extreme Metal
Mood: Ungodliness
Perfect For: Epic battles, Fast paced activities, Casual listening, Zoning out at work
Where To Next: "Du Nordavind" - Arcturus
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Rating: 8/10

"Cry" - Brenda Lee 
 
Last night I seemed to get in some kind of kick to listen to a bunch of Brenda Lee. Throughout my playlists and collection of songs there is a lot of Brenda Lee, though sometimes you need to scratch the musical itch that has built up all day. What started it all was this track here that I was playing while putting stuff away at work. "Cry" is a great track that has been covered a crap load of times and each version I have listened to always hits the spot. My personal favorite version is from Roy Orbison off his 1961 album Blue and Lonesome but there are plenty of great version like the original by Churchill Kohlman, the ever-popular version from Johnnie Ray, the country fried sorrow from Lynn Anderson, or the teenage cry fest from early pop icons such as Brenda Lee and Lesley Gore. The song is straight forward, sorrowful, and beautiful no matter which version you choose, and it is always sung by top tier musicians. Brenda Lee might be remembered now more for her Christmas songs but for a good chunk of years she had an extremely successful career as a child music star and pop music icon. Though if you know anything about music, especially pop music, there is always a new kid in town that steals the spotlight and even after Brenda Lee fell away from stardom, she still put out great music mainly in the country music world. I am quite fond of the pop/rock and roll sound off of her first 10 albums but still I have found many great tracks all the way up in her later work. It must be daunting to be a child star with her first hit coming along when she was just 12 years old. A completely different life than what me and you had for a childhood, but we also don't have a music career that has spanned over 50 years. Brenda Lee came along with a red hot rockin' and rollin' sound for her first 2 albums that earned her the nickname "Little Miss Dynamite". That energetic style soon gave way to a smooth pop sound that sometimes lashed out with that signature dynamite blast. She is an all-around entertaining singer and performer, not only impressive vocally but it is in the way she sings that really gets me, just a true joy to listen along to. "Cry" comes off of her 1961 album Emotions which reached #24 on the Billboard 100 and is one of her most essential albums principally for her big hit "Emotions" which holds the highest place on her Spotify aside from all the Christmas music. "Emotions" is a damn good song through and through but I think "Just Another Lie" and "Cry" outshine it. For such a big name in the rock n roll history books it is easy to say that she has countless great songs from a massive discography. You would have to buy two notebooks to write out all her quality tracks. On Emotions we hear Brenda Lee maturing as a musician, she brings forth a sound that can appeal to kids as much as adults in comparison to some of her previous albums that was following along with what the kids were jiving about during the strange transitional point of rock music when pop almost swallowed it whole. Though in retrospective I am glad that rock almost got smothered, it brought out a great side in pop music and gave a platform for rock to reform their sound and come back with a power that ruled the airwaves for decades. 

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 1961
Album: Emotions (1961)
Genre: Pop
Mood: Sorrowful
Perfect For: Casual listening, Having a cry, Late night thinkin', Day dreaming
Where To Next: "Misty" - Lesley Gore
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Rating: 7/10​

"Bossa Nova Baby" - Elvis Presley

Man do I love running the roads, it feels like there is something new behind each corner even in the towns you have stomped through time and time again. There are few times when the music hits better than while driving, well maybe when you are stoned. Well either way, if you haven't noticed, a good chunk of these choices for song of the day have been selected while driving and "Bossa Nova Baby" from Elvis was no different. Saturdays are a day for adventure, to shake all the stress off from the work week and try making up for lost time while you slave away at your 9 to 5. I hardly need to tell you who Elvis Presley is. I mean he is the king of rock n roll and one of the biggest American icons ever with one of the most successful, controversial, and thrilling careers in music history. Today, we take a look at one of the many soundtrack albums to his movies that served as a big portion of his album releases in the 1960's. Some of those soundtrack albums are honestly not the best, and that comes from a massive Elvis fan. He was even frustrated with the direction he was being pushed musically during this period and it shows. Though out of his soundtrack albums I think that his 1963 album Fun in Acapulco is one of the better ones with a much heavier leaning towards more Mexican based music which I think Elvis does well and has a fun time while doing it. The best track from that album is "Bossa Nova Baby" and while it is in more of a classic Elvis style more than the  Mexican music style it still keeps a good flow on the album and doesn't stick out too much. Bossa nova is a genre that is practically a tamed down samba so as you can guess, it is best used for dancing which is the main lyrical content for this track. "Bossa Nova Baby" utilizes some of the style of Bossa nova too, though it still leans more in that sweet sweet rock n roll sound. The track is a fun one that has you tapping your feet along to it, if not fully getting into it. Good on Elvis’s character for being able to keep up with his lady, I don't think I could keep up with someone who wants to dance, dance, dance. Though I guess from the lyrics Elvis's character hardly can as well. I chose the song while cruising through historic Helper, UT with my girlfriend. We just ate an American sized breakfast from a yummy restaurant we have stopped at once before and was impressed enough both times. Overly stuffed and starting to get back on the main road to continue our travels is when I heard the familiar intro to "Bossa Nova Baby" kick off. It pretty well matched the whole fun feeling of a day of adventure and left a pretty heavy imprint on me at that moment. Driving along a slightly scenic road that connects two of the towns in that zone, music at a good volume to still hear the rhythm of the road, a motorcycle here and there feeling their own thrill of the open road, old time buildings, pretty mountain faces, and most importantly Elvis Presley. It felt like what the American dream could be, if that dream wasn't just a sales pitch. Anyways, back to the music. This song was originally given to the Clovers (an R&B / Doo-Wop that had a hand in helping form rock n roll) in 1962 though the song didn't gather as much attention as Elvis's version and in my opinion I like the rockin' rollin' style of Elvis's more even if I cherish the Clovers. While his soundtrack releases may have lacked here or there that doesn't mean that each release didn’t have its own select tracks that are some of his best! "Bossa Nova Baby" serves as a testament to that statement, a fun and great song that reminds you who is the king!

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 1963
Album: Fun in Acapulco (1963)
Genre: Rock and Roll
Mood: Fun
Perfect For: Dancing, Mellow drives, Scenic drives, Drinking
Where To Next: "Waitin' In School" - Ricky Nelson
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Rating: 9/10​

"Rock-N-Roll Victim" - Death

These 3 brothers never got picked up at the time of their recordings but have since become common legends in the punk world. Often regarded as one of the first true punk bands, especially leaning to the harder side of the genre. Most of their recordings have been put together on compilations or touched up albums like what we have today and are now luckily accessible years after they left the Death name behind. They are an explosive group that demands your full attention as they lay down track after track of proto-punk. Starting out as a funk group they eventually switched their style to match the harder rock sound that was all around at the time. That honestly did them little favors at the time and they faded away without even a word. 36 years later they were rediscovered and blew up, wouldn't that be crazy? You are just living your life, playing in a band here and a band there and then out of nowhere most people regard you as one of the founders of punk and you are finally famous. While their sound is more rooted in a garage rock style there is no doubting they were doing something that wasn't really touched upon quite yet in the mid 1970's. Yes, there was the Ramones in the United States and the Clash in the UK though they came just a little smidge later than Death. I am not saying they started the genre or really even had a heavy impact on the starting days though seeing their recordings now it almost seems like they had a time machine and knew what was going to come. This album is a short one but is an enjoyable one nonetheless and is their most successful release. If it wasn't for Drag City Records this great album would have never surfaced, it goes to show how important independent labels that take risks are to the music world. They saw all these rare 7" records moving around for big dollars, and like most in the circle heard about this great obscure band and they decided to dive in and gather up all the records to bring it to the light. It makes you wonder how many great bands were out there that just got blown away by the wind. I am a believer that most of the bands that got picked up were destined for greatness either through sheer will power or being in the right place at the right time. Though that doesn't mean that some bands were out there that could have pulled it off if just given the chance. There are multiple groups that gave it a swing and then failed, but what about the bands that just never had a chance to give it a swing? Like Death, a band of pure raw fury that just came a little bit too early to get recognized. Well luckily we have them now since I have been hooked ever since hearing this album years back. It confuses my Spotify though since I am also a big fan of the legendary death metal group also named Death (which I find is a better fit for the name). Also it was some of the reason it took me a good couple years into my punk obsession to even fully find the punk band Death. Anyways, "Rock-N-Roll Victim" is a reckless track that leaves you gasping for air by the end of it. That garage rock sound we got from MC5 and the Stooges meets the Bad Brains and Agent Orange on a Dead Moon night. The album has it all, a good chunk of punk political tracks and a shit load of energy, not much else you could want from those early punk recordings. The song name is strangely fitting for their history, and the album name matches their rediscovery for all punkers to listen to.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 2009 (Recorded 1975)
Album: ...For the Whole World to See (2009)
Genre: Proto-Punk, Punk Rock, Garage Rock
Mood: Electric
Perfect For: Listening loud, Getting pumped, Brushing your teeth, Driving
Where To Next: "Your Pretty Face Is Going to Hell" - The Stooges
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Rating: 8/10

"The Down Town" - Days of the New

Man, I swear that February is shooting by damn quickly already. I can't understand why time moves faster the older you get. While you aren't learning as much and spend most of your day working it still seems odd that months can go by and there isn't much to show for it aside from bills and photographs in comparison to the days of youth. Guess that is what we are served, though what I often remind myself while racing along in the rat race is at least we have great music. No matter how rough things get, there is remedy in the speakers. A band that always hits the spot when you are feeling down, or honestly if you are feeling just about any emotion is Days of the New. Their brand of grunge based around an acoustic rock sound is damn fine and is instantly recognizable. In 1997 most things in grunge have already been done, like most rock sensations, and there were a ton of bands trying the exact same thing and never getting close to the ones who set the pace. That is not the case with Days of the New, they took what was on the radio and brought a new and fresh sound to it. Their self-titled debut has plenty of great tracks, especially in the first half of the album, so it was damn hard to choose just one for my song of the day. Traffic was an absolute shit show, I sat staring at red taillights long enough to drive me looney tooney! After thumbing through the heavy Tumuli Schroomaroom by Acrimony, the mellow Creature from Moist, and the half decent Album of the Year by Faith No More I needed something a little more, something to really grab me. Faith No More almost had me though I have always shared a love hate relationship with that album though I know plenty love it. Then I heard the well traveled intro to "Shelf In the Room" and I honestly could care less that I have been stuck in about the same place in traffic for over an hour. I love this album! One of the ones I looked forward to once I got to the 1997 deep dive since it has been a good minute since I took it in from start to finish. The sing along feeling of the album mixed with it gloomy downtrodden style really fit the traffic mood. I chose "The Down Town" since it is one of more upbeat tracks on the album, and the song took off at the exact moment everyone was speeding up after the traffic jam. Even with that upbeat feeling the song is anything but a happy song, a song about drug addiction and fear. Days of the New has some of the most impressive guitar work in grunge music, and honestly in comparison to a lot of the rock of the 1990's I would say over the genre itself. Todd Whitener is the mans name behind the acoustic, and he doesn't get the recognition he deserves. Most of Days of the New doesn't get the recognition it deserves honestly, though Whitener on this debut really deserves the acclaim. Also vocalist Travis Meeks since he has a damn homey voice that uses serious force to sell the points of the lyrics, and the kick in the bum is he was only 17 when this album was being recorded. Talk about natural talent! I am honestly shocked that Days of the New didn't gather the same stardom as some other bands, their 3 studio albums are all good, but admittedly this one is for sure their crown jewel. Anyways, next time you are in a stressful, bladder bursting, stale traffic jam try this album out for size, it will cool you right off! Or maybe even listen to it right now if you have the time. You got nothing to lose but let me promise you that you have everything to gain! Enjoy!

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 1997
Album: Days of the New (Yellow Album) (1997)
Genre: Grunge, Acoustic Rock
Mood: Serious
Perfect For: Driving in traffic, Relaxing, Having a smoke and a toke
Where To Next: "Water's Edge" - Seven Mary Three
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Rating: 8/10

"Criminally Insane" - Slayer

Here I go again raving about one of the greatest metal bands to ever grace this third stone from the sun. I think there is a reason that Slayer is still such a well-known and respected name in the community. Certainly the type of band that will never fully fade away much like the other big 4 of thrash metal. Throughout their career they have had a steady thing going for them... being fucking intense through and through. "Criminally Insane" comes off of their groundbreaking 1986 classic Reign in Blood, probably the ultimate place for a budding Slayer fan to jump into the band or even a new convert to the glory of heavy metal. If you are a metalhead and have made it this far into your listening and haven't listened through this album then shame on you and maybe it is time to give it a go. It is an all-consuming and addictive album filled with 10 top of the line thrash metal mania tracks! Full of that Kerry King / Jeff Hanneman lyricism that put Slayer in the hearts of metalheads nationwide, and equally painted a massive target on their ass for the parent groups across America. Though nothing is better coverage for metal and rock music as much as boring adults saying "don't buy this!" but yet they never learned. As I said in a previous post "the Filthy Fifteen" that PMRC (Parents Music Resource Center) put out serves as a great list for the rebellious youth to go out and listen to (namely the rock and metal track though there is nothing wrong with digging the Mary Jane Girls). I know that was the first place I checked when I was getting more into 1980's metal and hard rock. That list is fairly tame in comparison to some of the other bands out there during the time, and pales in comparison to some of the shit artists spout now days. I think the whole thing blew up in their face, though it probably did stop a good number of kids from being able to get certain albums or listen to certain songs, not to mention radio play. I remember seeing the "parental advisory" sticker as some kind of magical symbol, the forbidden fruit of the supermarket. Now here I am years later spouting the same sin and hoping to convert people to grow their hair out and play that filthy music looouuuuddd! Lay down your soul to the gods of rock n roll! Anyways speaking of loud, "Criminally Insane" is a certified neck breaker! Showing off the steady and mighty impressive drum work of Dave Lombardo right off the bat before the band all joins in and forces the essence of wickedness down your earholes. A pretty quick track only coming in at 2:23 but granted most tracks off of Reign in Blood are relatively short and straight to the sharpened point. A classic crazy murder metal track, the lyrics match the flamingly aggressive style in the song and while it isn't the most inspiring lyrics there is something comforting in a common theme in lyricism within a genre. The love song to pop artists, or the drinking songs in country music. There is more to metal than murder though murder sure is a common theme in metal music, part of the appeal, you don't go to the horror section in a movie store and get shocked to find people being stabbed in 1080p. This is my fourth Slayer choice for this section of the website, so I apologize if I sound like a broken record buuuut there is going to be a ton more where that came from and I don't even feel sorry. Fuckin' SLAYER!!!!

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 1986
Album: Reign in Blood (1986)
Genre: Thrash Metal 
Mood: Violent
Perfect For: Rattling your god damned head, Driving fast, Murdering?, Running, Getting pumped
Where To Next: "Hammerhead" - Overkill
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Rating: 8/10

"Bitch" - Meredith Brooks

One of the most recognized one hit wonders to come out of the 1990's, and if you know anything about rock during that time that is a hell of a statement. Meredith Brooks came along with the movement of women singer songwriters that ruled the airwaves during the mid 1990's into the early 2000's. Artists like her, Alanis Morissette, Cheryl Crow, and Liz Phair showed the world what it needed with a style that border lined somewhere between pop, alternative, and rock music but expressed the cruder side of the "girl next door" stereotype. Though most of the others listed had a stronger career, Meredith Brooks had a hit that is often regarded as one of the most defining hits of the decade. Honestly this track is going to stand out like a sore thumb from my collection though that is okay since the song is damn good and super well put together with a chorus that practically everyone can get behind. I won't lie though; it is sort of odd to listen to a track that is heavily pushed towards the female demographic. I have always wondered how certain songs and bands sounded to the finer sex, I mean rock and metal is often a cock show and is certainly a more masculine music style the heavier it gets. I figure it feels a little bit like it is to listen to this track for me. While there are plenty of songs I adore that follow the same guidelines they either aged a certain way or the lyrics are still open to anyone who listens. So, it was refreshing to listen to this track and really think about it, since it for sure makes me feel a little bit like a fish out of water. Lyrically there are few tracks that come to mind from my collection that have the "I will key your car" type of lyrics though on the other hand this song is more than just that for sure. A song of duality and personal struggles is always welcome in my books. I have memories of this track growing up. Though my mother claims it didn't happen there was a short period of time that she would listen to this song a lot and also Alanis Morissette on almost repeat whenever she took us to school. Granted she just got done with a breakup so I can think of few better places to come to, though I suppose if it was an angrier breakup, it would have been KoRn for days which I would have preferred at the time. That was the first time I really heard this song, especially a less radio friendly version of the track. I went a long time thinking this was Alanis Morissette until I got older and started going through her work and never found the track. After an easy google I found the track once more but it served as a "closet listen" for a good portion of time but for the last couple of years I don't really care what people think when I listen to certain songs. Even if the song is feminine, I could care less. Even if it is a "Morissette clone", I could care less. The song is great through and through with a contagious chorus and a great atmosphere. I am not alone on that stance either since this song (ironically inspired by her frustration with her music career) shot up to the top of the charts in a lot of countries and landed her with a nomination for the best song and female rock vocal performance for the 40th Grammy awards. I chose the track while finally getting around to sifting through her album Blurring the Edges for my 1997 study, I gathered a track here and there but in the end there really is no outshining "Bitch" on the album. A one hit wonder is better than a no hit blunder I'd say.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 1997
Album: Blurring the Edges (1997)
Genre: Alternative Rock 
Mood: Catchy
Perfect For: Casual listening, Summer drives, Chores
Where To Next: "All I Really Want" - Alanis Morissette
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Rating: 7/10

"Cosmogony" - Helloise

Helloise isn't a band that got noticed too heavily when they first came out and like too many metal bands from the 1980's they have been ultimately lost in the tides of time. Their most popular track (gathering a whopping 21,736 listens on Spotify) "Cosmogony" is a statement to their underrated place in the metal world. They come along with serious force, each member laying down some smooth metal that could make even the metal gods pump their fists along. The intro is mellow and sucks you in slowly before punching you in the gut with great guitar work. I think that is where Helloise really shines through, and the vocals coming from Stan Verbraak is also a treat and was one of the leading causes for me to try Helloise out for size. I first came across this band while going through their original band Highway Chile, most of Helloise is past Highway Chile members. I was instantly impressed with their previous band so once I caught wind of Helloise I set the bar pretty damn high, halfway through this album I was highly impressed with the band though nothing impressed me as much as the intro track "Cosmogony". This song is damn good, heavy in a strange way and progressive in all the right ways. Melodic in nature though epic in atmosphere. While they have a couple other albums, none hit me more than Cosmogony either due to it being my starting point or maybe because this is their crown jewel. Even with both Highway Chile and Helloise getting buried by the test of time that doesn't mean they aren't worth the time by any means. I think any metalhead that appreciates a softer touch will dig the band, and the same can be said for rockers that like the heavy hand. For me, the song is the type that  is damn near impossible to just listen to once, it easily leaves you wanting more once the track ends.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 1985
Album: Cosmogony (1985)
Genre: Hard Rock, Progressive Metal, Heavy Metal
Mood: Cosmic
Perfect For: Casual listening, Playing a MMORPG, Working
Where To Next: "Rise or Fall" - Leatherwolf
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Rating: 8/10​

"Make Believe" - Joan Jett

Joan Jett is a household name in the rock world, with her signature look and style she was a leading force in pushing back against the macho state that rock music was in during the 1970's. Her place in the teenage sensation (and one of rocks and punks first all-female power forces) the Runaways set her on a course to becoming the "queen of rock". While the Runaways had a great run, it wasn't until her solo career that she really took over the radio in the 1980's. Joan Jett dished out plenty of decade defining songs that still get plenty of love to this day. One of her most famous is the track "Bad Reputation" from the album of the same name, and while that song is stellar and worthy of each grain of praise it gets, there are plenty of more great tracks on that album such as what we have here today. Joan Jett has never been shy about covering songs, eating them up and then spitting them out to be often much better than the original. "Make Believe" was originally recorded by the band Wind, a band that has been buried by the years much like a ton of the more pop based rock bands that couldn't figure out if they wanted to stay in the 1960's or move with the changing tides of music going into the 1970's. Joan Jett has always had a sweet spot for bubblegum pop and glam rock, I mean one of her bigger idols is the hot shot Suzi Quatro who was the original girl with the "bad reputation" and she found her sound and home in glam rock. Like I kind of eluded before, Joan Jett doesn't just cover them, she adds a snarl and a kiss to make it fully hers while still paying respects to the original. As for "Make Believe" it is without question that hers blows the other out of the water. It is the kind of track to get stuck in your head for weeks on end with its simple pop-based chorus and strong vocals. Joan Jett used this debut of her solo work to really showcase some of her influences and taste. You can still feel that she was fresh off the boat called the Runaways, but took that sound and all she learned then sharpened it to cut. Bad Reputation is mainly made out of covers ranging from her powerful take of "You Don't Own Me", the fun as hell "Shout", and the bristling tension that comes off of "Do You Wanna Touch Me (Oh Yeah)" though the original work that fills a little less than the other half of the album is also primo material that I am shocked that it hasn't made it to the website yet. Vigorous youth is what made rock n roll shine in the first place and what we have here on the album still proves that point. And I love what Joan Jett did with her debut, she brought back so many tracks with some of them being damn near 20 years old when this album released, and she did it so well. Within this album there is a good handful of songs that really show why Joan Jett is a rock idol and I am pleased to showcase "Make Believe" as one of them.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Year Released: 1980/1981
Album: Bad Reputation (1981)
Genre: Rock, Power Pop, Punk Rock
Mood: Heavy-hearted
Perfect For: Casual listening, Shower karaoke, Late night cigarettes, Break ups
Where To Next: "Suicide" - Suzi Quatro
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Rating: 7/10